ceremonial magick

12
Mar
2011

Goetia Flow – Tao To Summon Demons


The circles slightly distort my vision as the preliminary evocation comes to a close. My body stands up straight while my mind is present, yet above and beyond me. My mind is a thread in a cosmic spider web stretched far past my little self. I am me and I am more. Attention is turned to my triangle with the seal of Raum drawn red on the black mirror. My mindstream and voice as one dance along the spider web “Raum, mighty Earl, take your place in the triangle.” The spider web thrums as a crow sitting on a dying tree branch forms amidst the smoke and the darkness in the triangle. Raum is told to harm no one in the process of this working, to speak only the truth, and to stay within the triangle for the working. He agrees and I give him his charge, he agrees and I give him license to depart. Slowly I sit down and pull my mind back into me, into a peaceful and empty glowing self.
I know some Goetic magickians have an issue with my style of evocation but the above pretty much sums it up. No long winded preambles on why the spirit should show itself, no threatening and torturing if it is late, no binding and threatening the spirit into service, just a natural flow of myself and the spirit.
I can’t always invoke this way, I assume it is a me thing, just sometimes I can’t get my mind where it should be, but this is the method I always strive for. Now for the horrible puns in the title; Goetia Flow is a poor play on Go With The Flow, and Tao to Summon Demons is a poor play linguistically and spiritually on How to Summon Demons. Yet in a loose way they describe what I feel I do.
As mentioned briefly in my Secrets of the Summoning Circle post I view the circle style I use less about protection and more about connection. Within the circle I’m reaching far beyond Kalagni the university student, occultist, sex-god, whatever, and I’m reaching up into the highest aspect of the divine that I can access. I find at that level there is less effort and more flow. Abstract but that’s the way it seems. I erroneously call my summoning style Taoist, not because it has any connection to Taoism -because it doesn’t- but most people who are familiar with Taoism understand what I mean there. Taoism can be translated as Path, Way, and Natural Order, and that’s what I find relevant to my evocations. When I use the traditional Goetic methods or variations of such, there is a feeling of a battle, my will against the demon, the forces I can wield against the spirit. Yet in my preferred method there is no such battle, it is just the way of things, the natural order.
When in my circle, connected to the highest divine I can reach, the entire process seems natural, normal, just the way the universe works. When I reach out and call the spirit there is no sense of command or ordering, and I don’t feel the spirit is threatened or forced to appear. Instead the spirit appears because that’s the way the universe works. When I spill my cup of tea the tea flows out of the cup across the table and if it finds an unlevel section it rolls down the incline. Not because the tea is forced, coerced, or threatened, but water flows downhill and that’s the way the universe works – at least in sections of the universe with enough mass to create sufficient gravity to cause water to flow toward the focal point of the gravity, but let us not nitpick. To me this is much the same as my summoning. I’d call it Effortless Evocation, but that term has problems too, and yet it does feel effortless as long as I reach this mind state. Once I’m in the “flow” of the universe, the spirit just comes because that is what it does, when I tell it to stay and be honest it does because that is what it does, when I give it a command and have it depart it does as I request because that is what it does. In this flow the universe just works; hot air rises, water flows downhill, entropy increases in closed system, and Goetic spirits respond and obey to divine forces without pressure or struggle.
Part of me thinks this is so clear in concept and explanation, yet another part of me feels this is something that I’m not explaining right. While sometimes summoning and dealing with spirits is a battle of wits and wills, I find sometimes it is a peaceful and effortless exchange that occurs simply because I am part of the Divine and when in that flow the spirit responds to that because that is the natural order of thing.
I know some Goetic magickians love pointing out why I’m wrong, or endangering myself, or even deluding myself. So far this process has worked for me with no horrible backlashes, and I feel –simply put– to quote dear old Uncle Al, “Success be thy proof.”

Posted by kalagni in blueflamemagick
01
Mar
2011

Secrets of the Shattered Name


Sorry for the lack of posting. The last few weeks have been hectic. I took very ill for a while -an unusual occurrence for me-, I’m preparing for some large ritual work so getting and making supplies along with ritual purification, and lastly now is that time of year when professors like to believe that you have no course other than theirs and try to cram in as many tests and assignments as they can before exam period. While my obligations are lightening they are still heavy for the next two weeks or so. As such I haven’t had time to write up a proper post. Below is an article I wrote for a friend’s book on demons, as I mentioned last time I posted such an article the format of the book changed so my article was excluded though the information was still used to some extent. Hopefully I’ll get something original up here soon, and if this week continues in the same manner it begin I’m sure it will be amusing. This article continues Hebrew characters which appear to post correctly on my end, hopefully they display properly for everyone else.
Intrinsically bound to the nature and use of the demons in some the Judeo-Christian magick systems would be the names of their controlling angels. Perhaps the most important set of angels would be the Shem ha’mephorash angels, or the angels of the Interpreted Name, also translated more poetically but less accurately as the Divided Name, or Shattered Name. The Shem ha’mephorash angels are a collection of 72 angels that were carefully devised or discovered –depending on your interpretation– by early Jewish Mystics.
The Names of YHWH are many, and many were considered lost by the Jewish Mystics. In an attempt to discover the lost Names, the mystics applied a variety of Qabalistic techniques to a variety of names and verses to try to discover more. In one attempt they focused on the number 72, one of the Sacred Numbers associated with YHWH’s name, because of how it enumerates in a triangle.
י (10)
יה (15)
יהו (21)
יהוה (26)
72
Writing a Name or a Word in this pyramid style of increasing letters was a method of making a token of increasing or calling upon the Name or Word, writing a Name or Word with decreasing letters was a method of banishing the influence. Because of the importance that was put upon the number 72, for this and other reasons, the mystics searched for an incident in the Torah where one verse had 72 letters. After a long study of the Torah they came across three such verses that happened to be in a row, in English names and notions that would be Exodus chapters 14, verse 19-21. These three verses were written atop each other, the first verse being written normally (which in Hebrew is right to left), the verse below being written left to right, and the final verse being written normally again. To further decode these verses, the mystics read them downward, forming seventy-two sets of three letters each, and at the end of each triplet a divine or angelic suffix was added, either Iah, or El, as those are the most common suffixes in Angelic names. This gave the mystics seventy-two Angels with which to work. The Shem ha’mephorash includes many angels that are unfamiliar to many people, such as Mabahiah but also contain some of the more common or popular angels, like Michael (though the spelling is just slightly different, so it is unknown if this refers to the Michael).
Early modern translations of the Goetia from the nineteenth and twentieth century often began with a single word of warning “Shemhamephorash.” This was often not understood, though the Golden Dawn took it as advice, and began to pair up the Goetic Demons, of which there are seventy-two, with the Angels of the Shem ha’mephorash. Their attempt was admirable and according to some did create a workable magickal system, but more recent developments have cast their attributions into disfavour, if you take Dr. Rudd as correct at least.
One interpretation of the warning of “Shemhamephorash” at the introduction of the Goetia, is that it is advocating for their use as a protective force, but at the time the grimoire was written the use of the Shem ha’mephorash was so widely understood and applied, that it didn’t require repeating. In much the same way, many magick and psychic books don’t include Shielding, Centring or the Lesser Banishing Ritual of the Pentagram, because it is expected that people either already know this, or it is not repeated because it can be easily found anywhere. Another possible reason is that the Shem ha’mephorash was a part of the Goetic grimoires, but was later removed or lost in a transcribing/translation of the text.
Recently the Goetia of Dr. Thomas Rudd, an associate of John Dee, has come to light, and it is one of the earliest translations of the Goetia that has been recovered. The trait that sets this book from other versions is its inclusion of the Shem ha’mephorash. In it, each Goetic Demon is linked to an Angel of the Shem ha’mephorash, which is regarded as its controlling Angel, and it is this Angel that helps contain the Demon on a one-on-one basis, while the magickian works with them. The Angels are simply applied to the Goetic Demons in order, a thought which did not occur to the Golden Dawn, and as such their correspondences of the Goetic Demons with the Angels are different.
Not all who work with the Goetia have accepted this new finding, some feel it is unnecessary, whereas some feel it was Dr. Rudd’s personal addition to the system, rather than something that was a part of the system from an earlier time. The good magickian would be wise to take time and experiment both ways, before falling into such an opinion.

Posted by kalagni in blueflamemagick
11
Feb
2011

Review: The Golden Dawn Enochian Skrying Tarot – Bill & Judi Genaw and Chic & S. Tabatha Cicero


The Golden Dawn Enochian Skrying Tarot: The Synthesis of Eastern & Western Magick – Bill and Judi Genaw and Chic & S. Tabatha Cicero
Llewellyn. 2004. 418pp. 0738702013.
“The Golden Dawn Enochian Skrying Tarot is unique among all published Tarot decks” (1) it “is not simply a Tarot deck with a book of card descriptions. This kit contains a complete system for magickal and spiritual growth. It includes card spreads, meditations, exercises, and rituals that are provided for three levels of spiritual attainment: Beginner, Intermediate, and Advanced.” (2)
This may sound like a grandiose claim but the Ciceros and Genaws managed to win me over to this point of view. It is definitely a unique deck. Rather than the traditional 78 cards this deck has 89 cards, and unlike the traditional Major and Minor Arcana this deck is divided into four elemental suits of 22 cards each, one Spirit elemental card, and the cards are double-sided. Honestly the structure is so different I wonder why they felt the need to call it a tarot deck rather than a divination deck. This deck also comes with a book more than four hundred pages long, just a small sign about how detailed this deck is.
This deck is probably the most complex deck I’ve ever dealt with. One side of the deck is composed of “Western Tattvas” or alchemical symbols, the others side is an intricate synthesis of various symbols and parts of the Enochian Golden Dawn tradition. The Ciceros and Genaws consider the traditional Tattvas and Western Tattvas as both equally valid, but feel that the Western Tattvas are more appropriate and accessible to a Western magickian studying Western systems. So instead of the traditional Tattvas and colours, the deck uses the elemental triangles and colours from the Western Mystery Traditions. The Western Tattva cards are composed of single element/Tattvas, sub-elements, and tri-elemental combinations. The Enochian side of the cards are far more detailed and difficult to explain. They match the elemental attributes of the other side of the card, and are composed of elemental sides of the Enochian pyramids, Enochian angels attributed to the appropriate section of the tablet, astrological correspondence, an Egyptian God, Major Arcana parallel, Hebrew letters, and geomantric symbols. There is definitely a lot going on with these cards.
As mentioned in their introduction the cards serve more than just a divinatory function but actually compose part of a magickal tradition. The Enochian side of the cards can be used to compose the elemental tablets for use in Enochian magick, and the book contains enough of the Enochian theory and Keys to get someone going. An obvious and major part of this is, as the title of the deck says, skrying. This book contains some of the best training exercises for skrying I’ve ever encountered, and I was very pleased and surprised with that. The book leads the reader through increasingly complex exercises to train the magickian for skrying and astral projection. What surprised me was that as a divination deck, that all of the skrying was consciously chosen. If you want to understand something, go through the deck and find the most appropriate card according to the meaning in the book and skry through that card. I don’t see why one couldn’t (or shouldn’t) simply shuffle the cards and draw out the most appropriate card to skry, after all divining gives us access to reasoning beyond our self. The book contains some fairly standard magickal exercises, as well as some unusual ones, such as the creation of elemental “energy balls.”
The only thing I could really complain about is that since the structure is so different from a standard tarot deck, lacking intuitive images, and just so complicated, that the deck will be exceedingly complicated to learn. Beyond this issue I think the deck and book are quite marvellous. What these cards lack in stunning artwork they make up in sheer information. Not a deck for everyone, but anyone seriously studying Western Traditions and/or the Golden Dawn then this deck would make a great addition to your magickal repertoire.

Posted by kalagni in blueflamemagick
13
Jan
2011

Review: Low Magick – Lon Milo DuQuette


Low Magick: It’s All In Your Head… You Just Have No Idea How Big Your Head Is – Lon Milo DuQuette
Llewellyn. 2010. 206pp. 9780738719245.
“Stories are magick.” (1) With that simple idea Lon Milo DuQuette begins to draw the reader into another wacky, hilarious, and insightful journey of magick and life. I will be frank right off the bat and discuss my problems with this text. I spend a lot of time on public transit reading and this memoir had people on the bus eyeing me like I was a bit crazy. Lon is quite simply a funny guy and at many points in his stories I found myself laughing- sometimes at him, sometimes with him, sometimes because a crazy idea seemed too much like me. Unfortunately when someone suddenly breaks out laughing (especially if that laugh has a tinge of mad scientist to it) people in public don’t know what to do. If you don’t mind odd looks you can read this in public, otherwise read it at home.
The humour is a great drive in the book it helps keep the stories from being too serious and not being a dry biography. Sometimes the asides and comments are just so random and funny that I couldn’t help but laugh such as the mention of nachos and guacamole as “the fast-food favorite of California magicians whose wives are out of town.” (73) That line was right in the centre of a fascinating story of a ritual spanning a few days involving Lon, the Tarot of Ceremonial Magick, and the various spirits tied to the deck.
Now this memoir isn’t just a stroll down memory lane, there is “a great deal of theory and technical information within my nonchronological narratives.” (2) So there are stories, there are laughs, and there is actual information. What I enjoyed what not so much how Lon did certain rituals but his discussion of why he did certain rituals and why he did them certain ways. When discussing a curse on a friend, rather than just using some standard ritual to undo it, or to just say what he did, Lon leads you into his head (and it is all in his head) to show why he decided to use A Midsummer Night’s Dream as the foundation to remove the curse.
Lon goes back and forth from discussing magick in a very traditional ceremonial sense and something more free form. The stories flow from Goetic demons to invoking Ganesha to the tune of “Pop Goes the Weasel,” from the Hermetic Rose Cross to gorging on quiche for astral adventures. The book covers so much in a great tone. On one hand Lon is confident about his experience and information but knows where his limitations are, and yet the book never has the tone of a magician who thinks too highly of himself. The book discusses success and failure, brilliant ideas and not-so-clever ones.
The title of the memoir is from an early work and it is a statement that I’ve seen people toss around both for and against DuQuette on various email lists and message boards. In this text he goes into more detail about it. “This is not to say, however, that I believe magick is purely psychological. What I am saying is there is more we don’t understand about the human mind than we do understand.” (133) In true DuQuette fairness he discusses this just before describing two stories where the magick and the results seem so removed from him that understanding it as being in his head is quite a challenge, even to him. Whether you agree or disagree with the idea, Lon does show through his experiences where his logic for this idea comes from. A strength of Lon’s writing is his ability to lead you into his understanding, so even if you disagree him you can understand why he thinks a certain way.
This is a hilarious book, filled with great insight into the world of magick, and into the head of one wise and wacky wizard.

Posted by kalagni in blueflamemagick
11
Jan
2011

The Secrets of the Summoning Circle


This article was originally written for a “flavour” article in a friend’s Dictionary of Demons book. The format of the book changed and my articles got cut, though some the information was still incorporated into the book. I’ve slightly edited it from the original format to be a bit more personal and experiential rather than just cold theory.

The Circle is probably one of the most important, and misunderstood tools in the arsenal of a magickian who works with Demons. Anyone who has flipped through a text on summoning Angels or Demons has come across a Summoning Circle, but probably with no more explanation than the method of drawing it, and that the circle is important to use.

Over the course of time the design of the circle has changed, and the importance of it has shifted. In modern magick, more than ever, the circle is being deemed unimportant, or simplistic. The Summoning Circle is being replaced by Psychic Shields, or ritual belts, or a simple visualized bubble. This shows, among other things, a tendency to interpret the Summoning Circle as merely a form of protection when dealing with Demons, when in fact it is far more than just that in some interpretations.

Before the modern interpretation of the Summoning Circle, the most common alternative Circle was published in the Mathers/Crowley translation of the Goetia. This circle was written over the image of a spiralling snake with the names of each of the Sephiroth, with the Names of Gods, Angels and Forces associated with each Sephiroth. This was an adaption, or a simplification of an earlier form of Summoning Circle that appeared in one of the earliest serving texts on Summoning Demons, the Heptameron.

In the Heptameron, which is a Grimoire that predates the Goetia, the Summoning Circle was at once the most simple and most complex form it would take. The Heptameron styled Circle was not a constant Circle like the other ones, in the sense that the design changed depending on the Season, the Day of the Week, and the Hour of the Day. In each case of Season, Day and Hour, there is a set of Angels associated with that period, and with the Heptameron system, to create the Circle, one must know and use the Names of the Angels associated with each of these periods. The belief was that each Angel had a period of power, and through working with that Angel in their ruling period, you had the ability to control the other Spirits in your work. I find there is something about skilfully directing your attention to specific forces and Spirits to create your Circle, rather than just toss out all the Names you can think of to cover everything. In magick when you have a goal you direct your attention to the appropriate entities, you don’t call upon everyone you know to help you get a job or deal with an abusive co-worker that would complicate matters.

The Construction of the Summoning Circle, when interpreted through the lens of Qabalistic Magick, revels that the Circle is much more than just a form of protection. The following section presumes the most basic familiarity with the Qabalah and the structure of the Tree of Life, which can be picked up in any introductory text. The world that we live and operate in is Malkuth, and represented by the number ten. The Sephiroth above us is Yesod, which is represented by the number nine. The Summoning Circle has an outer circle of nine feet, representing the demarcation of the world we live in, and the magical world involved in the magic. Above Yesod is Hod, which is represented by the number eight, above that Netzach represented by the number seven, then Tiphareth represented by the number six. Within the nine foot circle, there are three smaller circles, each a foot less than the one before, the magickian stands in the smallest circle that is six feet across. The magickian is in the circle of six feet, surrounded by seven, eight, nine, and lastly the entire world beyond.

It is in Tiphareth, that the human can first truly touch the Divine in a pure form. In every Sphere below Tiphareth the Divine is only accessed in a filtered form, like coloured light from a stained glass window, whereas in Tiphareth the Divine flows down uninterrupted, like the sunlight before it hits the coloured glass. By standing in the concentric circles, surrounded by the appropriate Names, the magician identifies their place in the Universe. The first Circle of Yesod separates the magical realms, from what is outside of it, Malkuth, the world of the day to day existence. In the centre circle the magician identifies their place in Tiphareth, the place of their direct connection with the Divine.

In this sense it is understood that the magician is not operating through the power of the Angels, but by knowing what Angel and God Names to surround themselves with, the magician is able to gain access and place themselves in a higher sphere, that of Tiphareth; this grants the magician access to all the power that the Divine will bestow on them. The power is no longer that of the Angels, but that of the Magickian, in their most Divine Aspect.

This Qabalistic interpretation of the Summoning Circle focuses more on the empowerment of the magickian than just their protection. This is not to deny the role of protection in the circle, but it is a manifestation of the magicians Divine Will that they are protected, rather than simply being protected and aided by outside forces. The protection the Circle offers is through the magician becoming a conscious manifestation of the Divine in this world, and it is this same access to Divinity that is what grants them the power to control the Spirits. It isn’t about threats and borrowed power, but existing in the natural order of things and helping to bring the Spirits into line with that order through the tasks they are given.

I don’t know if it was merely a confidence boost as I started to uncover this system and interpretation of the Circle but I’ve found my workings more successful and easier with this Circle. Before I felt like I was grappling with some power and trying to wrangle it to keep the Goetic entities under control, but now when I work with them it feels more relaxed, I don’t need to really control them because their obedience is a natural part of the Divine order which I’m consciously accessing. The best way of explaining it sometimes is almost Taoist in nature, that in the Circle I’m in Tao and the Goetic obedience is part of that Tao, no force, no struggle, simply nature taking its course. As with all things I think people should at least try it out, see what they think of this style of Circle. I’ve explained the why, and you can find the how in the Heptameron. Personally mine is slightly altered from the Heptameron but the theory behind it is the same.

It is not just the nature of practices that change over time but the understanding of practices, the whys get lost in the whats. Tracing a practice to earlier times occasionally leads to a now irrelevant practice but can also lead the magickian to a greater understanding of what they’re supposed to be doing in the modern form.

Posted by kalagni in blueflamemagick
20
Dec
2010

Falling Stars, Lunar Eclipse, and a Long Night


It seems as if the world of occult blogs is all excited about the lunar eclipse on the Solstice.
I’m excited too I guess, but I’m mixed. The eclipse occurs at 0130 EST (excluding the penumbra) of the 21st though using more traditional metrics such as sunrise starting the day and planetary hours that means the eclipse is really still part of the day before, but I’m told I occasionally nitpick. I keep seeing people claiming it’s the first lunar eclipse to happen on the winter solstice in over 450 years, or in nearly 500 years. The last one was in 1638 so apparently people are either using different math than I am, or not using proper sources. Of course it is a fairly uncommon event, while the last one occurred in 1638 it was the first one this side of the Jewish Carpenter’s birth. Though you’ll be happy to know if you survive another 84 years it will happen again.
Now the Sun and the Moon will both be Squaring Jupiter in Pisces, the sign it rules. So the Sun and Moon will be at “odds” with each other, and both having issues with a strong Jupiter in its more spiritual/religious aspect. The Sun is conjunct Mercury (but that happens a lot) and conjunct Pluto as well.
For me this eclipse holds special meaning, and not all of it has been figured out, but as the ritual is in a few hours we’ll see what get worked out. First let me talk about the solstice in my tradition. Winter Solstice we call Night of the Falling Stars. It is a celebration of the Family, in this sense Family is the belief that groups incarnate together for a time for various purposes. We celebrate the Family and our connection to each other. On the darkest night we light a beacon for the Family, we call to those who aren’t present and ask for them to enter our lives. We remember those who we know but aren’t present due to death or separation, we remember those who we know of but haven’t yet met, and we remember those who have come together in this life. In October during Dancing with the Family, we offer the Family, this side, and/or the otherside energy/merit/communion so they can do what they need to do. Now that they’ve been given the energy to do what they need, we invite them to join us one more. To those on the otherside in October we may help them seek out new birth, in December we call to those who have taken up new birth to find their way.
The astrology regarding this eclipse on the solstice is interesting and has some personal repercussions in my system. Our system has three “primary” planets, Pluto, the Sun, and the Moon. Yes, none of them are technically planets (though I’m still hoping we get Pluto back), but the term is used for more of the astrological sense. Now whenever all three planets are in aspect with each other it means something special for us depending on the aspect, and when we have an eclipse it is important because it removes either the Sun or the Moon from the equation. On the solstice we have the Sun and Pluto conjunct, opposing the Moon, but the Moon will be eclipsed anyways so it gets taken out of the picture. The Moon represents on the most basic level the Lower Self, the person who is here now. The “Moon of Kalagni” so to speak, is the person who just had a birthday, is attending university for two simultaneous degrees, likes to climb the Bluffs, solves Rubik’s cubes galore, has a soft spot for Babylon 5, likes blue, etc. The Sun is the Higher Self, the animating Soul, the part of me and Me (or you and You) that continues beyond death.
So during a lunar eclipse our tradition holds several ideas, but basically the Moon, the Lower Self isn’t part of the equation. What does this mean? All reality is cause and effect, how we move about and interact with the world and what we can do within it is related to this Lower Self. During a lunar eclipse we believe we can affect more changes with less interference from the Lower Self, both consciously and karmically. The part of the Lower Self that doesn’t believe in magick, or thinks we’re pushing too hard too far for a result, it is silenced, and the accrued karma associated with that Lower Self for that period cannot interfere with our workings. The lunar eclipse is the time to push yourself a little farther, and do what you usually can’t/don’t. Are you a competent magickian but can never get love magick to work? Try it during the eclipse, perhaps the part that can’t do love magick is associated with the Lower Self. We are both propelled forward and restrained by our past and Lower Self, but in this fragmentary moment we’re released from that.
It’s interesting to think what this means with Night of the Falling Stars. For this holiday Family firmly relates to the Sun level, the Higher Self, something spanning lives. So it is oddly appropriate that the Moon is not in commission during the ritual, leaving the Sun and Pluto to be the primary drives.
Currently it is a bit cloudy, but the satellites show it may clear up in the next eight hours. While being able to see it doesn’t matter (though for some reason we disregard eclipses that aren’t visible from our current location, odd disjuncture) it would be nice to be able to see it. I performed a ritual during the 2004 total lunar eclipse and the visual of the moon disappearing into a red haze was just amazing.
I recommend every magickian try something during the eclipse. Doesn’t matter what your system says about it, it’s the only time for the next 84 years you’ll have a chance to do it so why not take it? At very least go out and watch it. Eclipses are fascinating astronomical phenomena. What’s the point in living in such a brilliant universe if you’re not going to appreciate it?

Posted by kalagni in blueflamemagick
29
Sep
2010

Review: The Sorcerer's Secrets – Jason Miller


The Sorcerer’s Secrets: Strategies in Practical Magick – Jason Miller
New Page Books. 2009. 224pp. 9781601630599.
With his second book Jason Miller sets out to “provide a field guide for working with magick, not just a massive collection of every ceremony, spell, and trick that I know” (187) specifically regarding what he often phrases as real magick, and practical magick. I’d say he does a pretty good job of this, he doesn’t discount magick as a tool for growth and insight as spiritual beings, in fact he encourages it, but he also stresses it can cause real affects here and now (9). The style of magick he synthesizes is largely drawn from Ceremonial Magick (pre-Golden Dawn mainly), Tantra and Bön; so not surprisingly it is a system I took to it quite well and enjoyed.
In some ways the book contains what you see in a lot of introductory magickal books, breathing exercises, gazing exercises, theories about how our reality is divided/shaped, basic meditations. While a few exercises were interesting, nothing in this part is really that new to a magickal practitioner, after that though he starts getting into more uncommon stuff. An example is a meditation ritual combining a Tibetan Elemental system within the body and a Ceremonial Magick Godname, the ritual I found interesting not just because of the combination, but the elemental order is different than what I’ve learnt in both systems, though he explains quite interestingly why this order of the elements works.
He deals with the practical use of divination in order to help you plan your magickal acts. The chapters in the second section of the book all contain good information drawing on the systems I mentioned along with hoodoo, European folk magick and other things. The chapters aren’t just instructions on magick, but contain sets of questions for the sorcerers to consider in order to help them with their work, basic yet critical topics of thought for the sorcerer to use to be successful. Miller emphasizes “success in magick depends upon working the magickal and the mundane aspects of every situation” (92). He balances magick with life planning, of course this division is a touch artificial, and he concludes with a similar thought. “Though there is certainly a lot of classical magick in the book there is also a lot of information that isn’t typically thought of as magick. I want my readers to stop thinking in terms of what is magick and what is not, and instead start thinking in terms of what is successful and what is not” (207).
The book is written in an order I think would be conducive to someone just getting into magick, and is structured that new or seasoned with magick we can easily find what we need to work with. His style of writing is easy to follow, his tone is rational and humorous and I challenge anyone to read about his binding and expelling of people without laughing at his method (in a good way). An aspect I found enjoyable was his use of references, and encouraging people to research more into the topics. He provides a very simplified method of dealing with a Goetic Demon, but then suggests to the reader that if they like the system and the results to look into how it is traditionally done. There is also a section on working professionally as a sorcerer/magickian. This is a topic too few authors (or even practitioners) are willing to broach so it was refreshing to see it. As someone who has worked doing the “magickal odd job” it was nice to see it addressed and get another outlook.
Miller walks a fine line between tradition and innovation which is hard to do. He encourages creativity and personal creations, but stresses the necessity of research, experience and results. While I don’t know under what category I’d recommend this book to people, I definitely see myself recommending it. Also for those interested Jason Miller runs The Strategic Sorcery Blog which I’ve found a provoking and enjoyable read.

Posted by kalagni in blueflamemagick
25
Sep
2010

Review: Qabalah, Qliphoth and Goetic Magic – Thomas Karlsson



Qabalah, Qliphoth and Goetic Magic – Thomas Karlsson
Ajna bound.  2004-2009.  230pp. 9780972182010.
“The light side represents an ideal order in religion and myths, while the dark side represents the wild, overgrown infinity that hides beyond the limits of order” (17).
Most magickians in the West at very least know of the Qabalah, some may know of the Qliphoth -the dark mirror of the Tree of Life- but few understand and engage these forces.  Karlsson has produced a rare book dealing with these forces, very academic, well read, and balanced with personal insight and experience.
The book starts with Karlsson’s collection and interpretation of various models of the Qliphoth, presented as information not dogma.  The reader gains insight into several different how, why, and when theories for the Shells and their formation.  Along the way Karlsson is gracious enough to include citations for those looking to personally research this oft overlooked aspect of Qabalistic magick.  He covers a variety of topics related to the Qliphoth; the nature and origin of Evil, the nature and role of Satan and Lucifer, the Kings of Edom, and Solomonic Magick.
Through the presentation of the models of the Qliphoth the reader comes to understand -regardless of origin- the primal, chaotic, and potentially damaging forces they represent and Karlsson freely notes that this “dark path does not claim to be for all” (19).  He is right to make such a claim; it is rare to see such a path, so very much of the Left-Hand, expanded upon.  The path he lays out, based upon personal and group experience, truly involves the magickian turning from “the light,” away from the process of Divine Creation, and to descend into the subversive wasteland reality “beneath” our own to find power and enlightenment there.  It is a path fraught with challenges and risks, not for the faint hearted, and I am delighted to see such a work.  Books dealing with the darker paths in my experience have tended to be apologetic or sensationalizing the “awesome uberevilness” they represent, and Karlsson falls into neither of these categories.  He doesn’t shy away from the darkness of reality and he doesn’t try to sell it to horror and evil thrill seekers.
He doesn’t offer a “complete” path, as such a goal is too much for any book, and he reasonably explains that “[t]he Qliphoth above Thagirion are too abstract for the magician to be able to work with without experienced guidance” (142) and in an odd way it is nice to see a book that is willing to recognize the limitations it has as a printed medium.  The Shells and Tunnels are discussed, as well as a form of Goetic magick more appropriate for the Qliphotic magickian, all explained with a rational tone and rich visual depiction.
I definitely took a lot of theory from the book, and many resources for the next time I’m researching the Qliphoth.  It is greatly pleasing to see this book reprinted, as I wasn’t able to get it when it first came out, and after reading the book my pleasure is only increased.  Really this is a phenomenal and unique read, especially for Qabalistic magickians, or anyone taking a Left-Hand path.

Posted by kalagni in blueflamemagick