More on the Magick of Malas

I’ve been getting more and more questions about malas. It started with my original post on malas but it has been increasing since I opened up my little shop on etsy (currently on sale until noon tomorrow, check out my previous post) and people have been asking more. Last time I spoke more on malas traditionally, now I’d like to talk a bit more about my personal adaptations with malas.
As mentioned before malas are like batteries, they store the energy of the work you do inside of them, and if they are consecrated and attuned with an energy they retain that. This is a technique I use primarily with my planetary, elemental, and chthonic malas, as they all connect and relate to a specific type of energy. But something similar could be worked out with any mala.

Holding the mala stretched out between my hands forming a long oval, I reach into the forces residing into the mala (and sometimes refreshing it adding in some new energy) and I cycle that energy along the string, then I focus on having it jump the gap. Much like an electric shock, just a little zap jumping from a bead on the top to the bottom, or vice verse, and I do this spreading it out until between the beads of the mala, in the opening, is a screen or veil of the energy type of the mala, the sparking unites into a single harmonious flow. For lack of a better or cool name I call this the mala-field. (To me this looks like a cross between the Guardian of Forever Gateway, and the Stargate, a cloudy rippling veil-like surface)
Now if I’m doing something simple, I just need a short answer, or just want to do a quick prayer, I pull the mala down over my head, so my head passes through that veil. I then find communicating and seeing spirits of that sort (so fire elementals if I’m using my fire mala, or shades of the dead if I’m using my chthonic mala) is a lot easier, it is as though I’ve encased my head in a bubble of their reality.
If I’m doing something a bit more lengthy and complex, like petitioning, or summoning it is a bit different. Once I have the mala charged in the same way I place it on the ground (or table, or tombstone, whatever) sometimes in the shape of a circle, sometimes the shape of a triangle. Instead of encasing myself in a bubble of their reality, I’ve created a limited space that joins our realities, a place where the elemental/planetary/spirit realm intersects our realm a little easier, or perhaps I’ve just created an area of specialized energy to their type that makes them manifesting here easier (similar to some theories about the use of appropriate incense in evocation). Then I call them into the mala-field and communicate with them that way. Without some extra work, this does not function like a Solomonic triangle, it won’t keep anything in that doesn’t want to stay in that space, though they’re weaker outside of it, so unless you have some form of backup, or don’t mind the fun/challenge I’d avoid summoning unfriendly spirits this way. This method can also be used to drape a mala around a skrying mirror to “tune” it into a specific place/energy/spirit. You can either put it directly on the mirror like in the picture, or put it in a circle around the mirror. I find results are largely the same.
I’ve been taught that the left hand is receptive and the right hand is projective (though I suspect that is more about dominant hands), and I find wearing a mala with that in mind takes on another facet. Granted a good 90% of the time I just put the mala on, and that’s it, but sometimes I want to do more. In that case I’ll animate the mala like I mentioned above, activating it, drawing out the forces placed inside of it. Then depending on what I want to do, I’ll put it on. If it is something I want to bring into my life or retain internally I wrap it around my left wrist (being receptive). I see that veil covering my hand and the energy washing up my arm into me. This can also be used to start the motion of an energy transfer, so if you want to draw from the Moon, either to use or to recharge a Lunar mala (as an example) when wearing it on the left, if you’ve started to draw it in from the mala it’s easy to switch to an external source of fire and the draw continues, like priming a siphon pump.
If it is something I want to project into the world, then I wrap it around my right wrist, gathering the energy around my hand. From there I can use this to passively embody traits that I pass into the world, or can use it to actively influence things. By connecting to the energy in my Venusian mala, I can project that into people I touch, or in close proximity to help influence them in my favour. Connecting to my Martial or Saturnian mala, depending on the situation, I can use that to create forms to help keep people I don’t want around from engaging me.
That’s only three of the different ways I use malas, but I thought I’d start with them as they’re simple and versatile. I’ll probably be writing more on malas later since there is more interest in them than initially expected, so if you have any questions or topics you want discussed toss them in the comments and I’ll try to include them next time.